Monday, November 30, 2009
"___" @ SO N SO
FROM THE BIG WIGS THEMSELVES...
Hello.
We are having a final film screening of “___”
"___" is a surf film experiment. Fill in the "___" for yourself.
If your willing, "___" is this Fri Dec 4th (7pm) at the new So ‘n’ So
Gallery (2/17 Banksia Drv, Byron Industrial).
Bring a blue note, which includes drinks and live music by “Glass Towers”.
It might be fun.
Cheer cheer,
Johnny and Matty
:: More here
Sunday, November 29, 2009
Stanton Warriors hit Byron with Against the Grain.
The Breakbeat heavyweights; Stanton Warriors helped wear down the floorboards at the Northern on November 26... see more
Movement of JAH People
I'm watching the sweat shine on Al Anderson's arms as he plays guitar. He moves fingers over frets as naturally as breathing. Vocalist Erica Newell is delivering a soft Redemption Song... Read More
Saturday, November 28, 2009
A day with Ms Ireland
With one glance, you know for sure, this woman has lived. Her eyes tell stories; they welcome you in whilst at the same time saying ‘back the fuck down’. These people are my favourite, they come complete with intrigue and feed you just enough to make you want more. A feeling of warmth and effortless wisdom echoes in her twisted words, making you smile and question life as you know it. With a smile that reaches from one end of the room to the next you know the woman was meant to sing. And blessed we are for she has a voice that will infect your membranes and make you want to find your own.
It was a rainy day, back in early October when she invited me to her home to drink endless cups of chai and create some photographs to promote her upcoming gigs. If you cross this woman in your journeys you are bound to laugh or cry, go check her out at the Mullum Music Festival this weekend or take a peek on here.
Rock out.
-J.P
Tuesday, September 8, 2009
Lesbians on the Loose
Lesbians on the Loose: As I turn the pages of the latest issue of LOTL, I am confronted with such stories titled 'Lesbian is the new straight' and 'Bitches and Twits'. Suddenly I become somewhat adsorbed in the world of Lesbian style and culture. Full of interesting articles, reviews and photos. Dare I say, relative to my non-bi nor curious self.
On page 41, I find my favourite story 'Designer Vagina'. Writer Clare Edmonson describes the recent nip & tuck trend on the... fanny, gash, lady garden, pussy, vag or love box. It reminds me of a conversation I had last week with my German girlfriend, that there really is no polite or sexy way of describing lady parts without sounding crass or somewhat immature. Or as Clare writes, 'sounding like a brazened whore or a five year old confused about the birds and the bees'.
However... The photo shoot: On the infamous Byron train tracks, just east of the infamous (although rumored) Byron homeless commune we park Jess's infamous 1966 Shelby Mustang. Jess Bowen Settled in Byron in 2001 after achieving a very long list of things, including work with Vidal Sassoon in London and Toni & Guy in Sydney. She now runs a more personal experience at her very own Mudhoney boutique hair salon, you can find out more about the lovely Jess Bowen here. The second model for the shoot was little miss photogenic. Shaney Simpson. Another shoot to add to her steadily growing portfolio. The colourful Location, vintage costume, vibrant make up, very cool props and blue sky made for a pleasant trouble free day. Thumbs up to Flic Henderson for the enthusiasm and pointing out the exposed nipples -JH
::(click image for full size)
Petrolheads
Seeing the media crew dodge flying European cars and big brown rocks made me glad i was perched on the upside of this hairpin left.
::Take a closer look!! (Click image for full size)
Saturday, August 29, 2009
An ode to memories...
I often wonder what happened to my memory. Have all those years of synthetic love and endless parties robbed me of any first hand recollection of my life? Are my only memories reflections of the dodgy black and white disposables or the pixelated juxtapositions poised on facebook pages; heightened moments often fabricated for the pleasure of the camera. Even besides those deborturous evenings my memories of growing up seemed like spinifex in the desert. But recently I rejoiced, for they are still there, buried discretely in the layers of distractive dialogue. Solitude has allowed them to rise again, vivid and wild, full of colour and injected with laughter. Random and without warning they grace my days in this foreign land, I'm so happy for what has been and for the mystery of what is to come.
And for all those times that seem forgotten, hail to the photograph.
:: J.P
Thursday, August 6, 2009
Bangalow Glo
:: (Click image for full size)
Skirts of tule and delicate jewels laid their flavour on our day as we pottered labourously in the humble land that is Debbie's backyard. Fashion designer and collectorof wonderous treasures, our backdop became enriched by eighteen drying bra's, childrens toys, a chandalier and a .22 rifle.
Touched by the magical and very crafty hands of Andrea from Glo Hair Salon our two beautifuls ladies, Estelle Clapham and Kate Newton, giggled frequently as their hair became birds nests and their eyes were painted electric blue.
:: (Click image for full size)
Our backyard babes were elevated to elegant garden princesses adorned
with the unique and stunningly crafted Jewels by Jacqueline.
We blessed folks at Byron Bay Live seized the day and captured some goodies for your enjoyment. A big thankyou to all the beautiful femmes involved.
:: (Click image for full size)
Monday, July 20, 2009
Irena Jusufović
:: Callie marshall
Kuta – The City of Yes & The City of No?
Some people just never learn. Others are directed by a greater providence into making the same mistakes. Then there are people who enjoy bouts of self-loathing and actively seek to increase their own torment. And finally there are those among us who derive pleasure from lovely tropical holidays. All these people (and more) can be found within the tourist district of Kuta on the island of Bali in the country of Indonesia.
Sweet, sweet Swedes.
Well Yes! The ladies are out in force today. There are four of them, all friends from Sweden on a study break through South-East Asia.
“This is Bali! This is our last stop too! Before we go home – BORING! So this is it!” they are all peace signs and Hello Kitty!
Yeah right.
Most patrons are stirring about by the hyper-chlorinated pool; its late afternoon and preparations have begun for the evening. The girls had a good day. Plenty of sun, the hangovers broke into that glorious urge for another small glass and those clingers from last night’s foray into the Kuta scrum have been gotten rid of. Poor clingy men who shuffle along awkward mornings after - they go on existing as flippant thoughts for those femmes in the graying years to come.
And now in eighties colours and Balinese lace they languidly lounge on deck chairs and indiscreetly peer at others. Supposing they are all attractive. What good does that really do? Okay, yes. I cannot really concentrate on this thick, over wordy novel and my hawked cornered eyes stray over their geography – you could roly-poly across the lot of them! In tiny shorts, all loner boner.
Pull it together man.
Like you, they are nothing extraordinary in this grand scheme – Kuta is a European Quarter with every new moon. BUT! They never claimed to be intellectual property, nor anything deeper than what they advertise. To be children of fun and drink and sultry eyes is all that Kuta asks of them. Good luck sweet, sweet Swedes!
We giggle and then set eyes on an elderly Garfunklian chap strolling by. He has a young local lady quietly entrapped under his arm.
Introducing Mr. and Mrs. Tom Quatermain.
Never lucky in love they said. Who’s a lucky boy then!
“There goes Tom Quartermain – the town’s loneliest man”. And he believed those quiet intentional whispers. At the diner, through the drug store aisles, waiting at the gas station – A ‘weirdo’ they said. God knows he tried to get a good woman – the love of a good woman.
Tom’s home town is small, he is the local undertaker and he still has a questionably close relationship with his aging mother. The odds are stacked against him finding a partner to share in life’s joys and hardships. BUT! To Bali Tom went, to Kutaville what’s more. Straight into the lap of everlasting love and a wifey – one to take home all his own. The attention and adoring eyes are what this town is about, on the condition that the price is right and plentiful. Hats off to you Mr. Quartermain. Bid farewell to lonely nights and frantic searching days. And congratulations to you to Mrs. Quartermain. Say goodbye to “Bali-Bali” and to all that is familiar. Which acerbic dog or meditative angel could pass judgement on this most ultimate capitalist adventure of the heart? Probably none and nobody – the rainy season in Kuta washes all streets clean and the smell is both sweet and sour that rises from the turbulent pavement. So if that can be cleansed and beautiful, then why not a small, bought love that is pitched against old moral codes.
The new couple, who stand at despairingly opposing heights, begin the long walk between security gates, and at the other end – at Arrivals – Murphy the Surfy strides back into his constant adolescence.
Murphy the Surfy – the dangerous patriot.
The taxi rank outside Denpasar International Airport is often busy at this time of the evening. The workers hustle on the fence, some sit down on the curb and there are those that have acquired a fare and move off to their transport. Murphy walks over the crowd with an air of complete ease; this is his ninth surfing holiday to Bali and he knows what those Indo’s are like.
Waiting for Murphy at the tail of the crowd is Tin-Winch and Delfrat - the three grew up together in the Coffs Harbour region of Australia and are long time friends. Into the hired jeep they climb, with the luggage loaded, Delfrat begins to drive into Kuta.
Along the busy red brick bordered roads they hurriedly consume Bintang, Arak and speed. Murphy the Surfy is all back slaps, prostitutes and Euro-chicks, he also asks Tin-Winch about the surf conditions.
“Cobba, cobba, cobba – Mate!” pleads the ever colloquial Tin-Winch, with a tongue in his old friend’s cheek, “Let’s just worry about waves when we have to. Tonight all about the T and A!”
Delfrat follows in complete harmony, “The T and The A!”
The same old night waits for them, after Murphy is settled into his room and the fan winds up with a constant circling tick, it is time to venture forth and reignite the seasonal dance.
Roaring down the streets are the lads with no tops, they sink in and out of light spots and stimulations with pupils swelling. They begin to lose the way – which way was that anyhow? There is no point in looking for celestial guidance, for that Southern Cross will not be found, in all the orange glow above The City of Yes & The City of No.
Never fear and be feared! Murphy begins to growl – our bodies are the maps, we can follow the constellation on our backs, our shoulders and our arms! Follow the mighty Australian Southern Cross! This is real Australia and we are the real Australians!
Bewitched the trio round the monument to Islamic extremism and everything it took away and this will stay with them in a drugged memory. The swaying pause they make, guarded in by naked flagpoles, will give birth to their own radical ideals. Many under the gaze of post-destruction feel only grief for the whole world. Then there are the confused and the afraid, who take these thoughts home to their children. It is they who will bare witness to this petrified moment of ignorant loathing.
BUT! The night is getting old and the lads are on tour and morbidity is the bedfellow of boredom. And boredom don’t get you roots – so thinks Delfrat. Charging of into the infamous Kuta strips, the true Australians rebel yell goes up! Too bad if you don’t like us we own this town and this time. The brazen talk drops off as the boys head into a building of sound, sweat and coloured flashing.
Murphy leaves a Circle K on his weary way home. Exiting through the push/pull glass doors, he shoulders “some little bearded poof”.
Bearded Russian Cynic seeks answers.
“Thanks!” I say’s to my Australian brother, after he bumps me aside. Shuddering to realise that myself and this Dinky-Dye equal have committed a very serious crime, “Lord – I think we really killed the whole damn place.”
With regained footing the tide of guilt arrives and I want to go and hide in my shitty room until the sun lights up the land.
Another day and I am sitting in closed and closer quarters with the Russian acquaintance. Yesterday or the night before (I cannot recall exactly which it was) it seemed to be going fine – we understood each other. Today – maybe no. Andy Solzhe has a far greater intellect than mine. This I assumed, before we even met, would not be so much an obstacle to our relations. How foolish I was to believe that he would want to swing with a proletariat type of smarts. Eventually, it was realised that he was growing bored of me, regardless of my earnest attempts to fathom what was preached. Sitting on the edge of the chlorine flesh pit the Russian turned page after page of socialist theories, then counter acted these with all measure of retorts – I was struggling to keep up and wanted to hang on every word.
The tourist girls became livid at our inconsiderate behaviour, whilst they lay voluptuously parallel and bled sweat, airy looks and not much else. Add Solzhe’s twirling whirl of Russian Cold War prison woes (indebted to a sinister Kuta just outside the walls) and you had a fantastically garbled mix!
The ripples on top of the pool switched direction, soes I slapped Andy on the back and said, “I’m off to the beach, Ol’ Boy”.
Walking away to the stairwell he grumbled about bed and “temptations of the eye and not the soul”.
“Good Oh!” I called back, turning out into the silly streets for more punishment in pseudo-paradise.
Beep! Boisterous-Idiot, Beep! I sway between scooters and hope that Russian is okay, he’d get eaten alive out here – no worries. Hell, I will be eaten before too long. The incense, gutter water, spoiled satay sauce and the rest have become overbearing. This was home to a subtle people, but the tourists (they were once humane too) disturbed the soul’s geography and now everyone has gone to seed. Pushing on to the main beach I am expecting maybe something exciting to eventuate.
White crumbles way out on the mustard sea, but it is the foreground which pulls focus. And what is wrong with staring into a vast distance? There is as much definite detail out there as in here. People in the foreground hassle each other, they wish to know your business because business is money. Yes. Okay and leave me be - is the stare given to surrounding hawkers.
Another big pack of Orstrayhans ogle and goggle at females lolling in the sand (but not as crudely as the Brasoes whom I sat next to later that day). What a monkey gallery! This is good Kuta Beach though; all cultures of the world can unite for this common cause. Ogler, Goggeler – Show us your tits! It is interesting, as repulsed and revolted as one can be by a situation; there is still an invisible and unswerving beam of curious attraction which draws the investigator deeper.
Jeez! I guess I was visibly lonely or probably more bored, so bored of it all. That is until…The lone child staring out at sea is approached by an effeminate man and a manly female. Powers of deduction underway! Yes. Harris from Jakarta is gay and the other person is a transvestite.
The same sun as all over the big round world begins setting and two old white maggots rip a broken kite earthward.
Harris the queer is nice enough and we talk about beards, and Sarah (who is a man) shows me his driver identification. Every last person in this place has a story to tell in hell. Me included. Then Harris gets a little intense and talks of flying back to Jakarta together and I hang there maybe a little too long. So lonely Mr. Harris! Hey, not that lonely.
“Oh! Oh! Mr. George, you shave your beard-en you look much more cuter” says the grabbing Mr. Harris.
Signs of intent flare upward. Woo! Woah! No! See you later Mr. Harris and Mr. Sarah. And now I feel like Dalouz or Cassidy, those fellows were heterosexual and used to run from queers and jeer at queers from slinking box cars – yet only to attract them the whole while.
Ah, but whatever happens – happens, and we are all some ones children and so on. Everybody has a motive or something to sell in Kutaville.
The sun is gone and the salesmen and women are losing energy and the will for this day – “Thank a Lord” I say, please go get rested – tomorrow will be just the same.
This place is in a state of devolution. From a mature island culture to an immature tourist trap that has sprung shut. What joy could humanity siphon from the sad old crossbow salesman? I felt mad for a moment and ready to talk with Solzhe again. We should go out with our beards combed on this very night and preach to those bastards. Those bastard idiots bumping into other bastard idiots like broken tug boats in the dark. I wave goodnight to Sarah and Mr. Harris from across Jalan Legian.
The only action left now is to skip the uneven pavements, return to the hotel and wake up that solemn Russian with a scheme and a cold drink.
:: Words & Pictures - George Harold Foulds
Friday, July 17, 2009
REVOLUTION OF ART
Opening on July 24, on the eve of the Byron’s Splendour in the Grass Festival, Revolution of Art will bring together works from more than 60 invited Australian and international artists for a three-week exposition.
The select group of artists includes the well known, such as Kelsey Brookes (USA) and pop artist Denis Ropar (Adelaide), alongside young and emerging artists from Asia, Australasia, Europe and the US.
It’s the second year that Retrospect Galleries has held an urban art show.
Last year’s exhibition, Where Mighty Giants Dwell, caused a bit of a stir in Byron Bay, because, as Gallery Director, Bree Delian explains, it's not the sort of art that people are used to seeing in what is essentially a big country town.”
“For a start, it’s largely created in the city,” she said. “And it also brings ‘illicit’ street art such as graffiti and stencilling into the Gallery environment”.
“But this isn’t a new art movement,” she continued. “It’s just something that is new to the area.”
Delian recognises that the show is not likely to be everyone's cup of tea, but she says that Retrospect Galleries has a strong following of people that are really interested in this type of art, as a comment on broader societal issues and the voice of a new generation.
Over the past decade, urban art has become somewhat of a phenomenon. Works by leading graffiti artists such as England’s Banksy have become highly collectable, resulting in interest from Galleries the world over.
For example Banksy (whose actual identity remains a mystery due to pending incarceration), is top of the list of artists represented by Andipa Gallery in London’s Knightsbridge, in the company of Hirst, Bacon, Picasso, Chagall, Lichtenstein and Warhol.
He has also recently been honoured with a major solo exhibition at Bristol City Museum and Art Gallery, called Banksy v Bristol Museum, which, he told bbc.co.uk, "Is the first show I've ever done where taxpayers' money is being used to hang my pictures up rather than scrape them off."
Delain says that Retrospect’s new exhibition will be bigger and better than last year, with more diverse work, to represent the range of styles that are developing under the urban art banner, including street art, pop art and more fine art forms such as collage, drawings, etching, mixed media, painting, photography, printmaking and watercolours, clothing, jewellery, zines and books.
“Some of the artists, such as Dennis Ropar, Johnny Romeo and Doug Bartlett have art degrees,” she says. “Others have no fine art background but are doing quite well as artists.”
“For example, Regan Tanamui, AKA Ha Ha who recently exhibited at GOMA,” she continued. “He’s a self-taught artist who started off spray painting stencils on the street. Eight years and 10 solo exhibitions later, his work is in the collection of the National Gallery of Australia.”
“All of the artists in the show have something to say about contemporary urban culture and that’s really interesting, especially when you can look at it in a broad international context,” she concluded.
Revolution of Art opens 6 - 9pm Friday July 24, with DJ Slinky, and a live aerosol demo with Sydney street artist, Bennett. It’s on for three weeks, till August 13.
The show includes works by international artists Kelsey Brookes (USA), Ginza Lab (Japan), Glass Love (France), Oh Death (UK), Vilchez (Spain) Superboturbo (Netherlands), Rourke Van Dal (UK), Fawn Gehweiler (USA), Fake (UK) and Australian artists Denis Ropar, Doug Bartlett, Johnny Romeo, Regan HA HA Tanamui, Beastman, Justin Williams, Kareem Rizk, Kevin Tran, Brett Chan, Numskull, Miss Link, Bennett, Jeremyville, Timba, Rone, Henson, Troy Archer, Mia Taninaka, Snatchez, Dolores Cupcake, Snick, Darren Bryant, James McMillan, Christian Morrow, plus more.
For more info go to www.retrospectgalleries.com.
Image Credits::
1. Bennettt, Free Legs, Aerosol on canvas. Sydney street artist Bennett will give a free aerosol demo at the opening of Revolution of Art.
2. Dennis Ropar, It’s Love, Mixed media on canvas. Ropar’s pop art appears at Revolution of Art, opening July 24 at Retrospect Galleries, Byron Bay
Sunday, July 12, 2009
What's your creative strand
Saturday, July 11, 2009
Jewellers Workshop
:: Complete with moving parts, Shiny diamonds and girls with pearls. (click image to go to the site)
Thursday, July 9, 2009
Polaroid Love!
It's like gold to me! 1 click, 2 shakes, 3 minutes, 4 dollars spent - JH
:: 12 recent favourite polaroid pictures taken by Amelia Hallam, Bianca Griggio and myself.
(click image for full size)
Wednesday, July 1, 2009
I hates the Yankee nation and everything they do.
“Warm beer. Cold women. You know I just don’t fit in.”
With this prelude he triumphantly meanders off the main dirt road and into that bar to find a seat, couch or stool. Yes. Yes. Yes. The beer is cold, soe's he massages it along his forehead, exhaling all the while. But this bar is momentarily quiet – it is the eye of the storm into which Drombrovsk has wandered. Enter – “Hurricane Dusty Farrell the Illinois State Quarterback – BROOHAH!” The Polish observer can only mutter “shit” as 6 American college boys vigorously roll in.
“FUCK YEAH MAN! JAGER! FAAAR-KING YAY-GRRR!” yells Number 17 at the visibly frightened bar keep. They spread throughout the faded, fluoro wooden den priming the air with an electric cultural presence. The new ambiance is both alluring and repulsive, as divided revelers (previously in the shadows) scowl and head to the door or step-up, dance and drink. Our man on the ground has a whole beer to finish and watches on with curious intrigue.
“Hey little Asian dude!” shouts Number 37 at a huddle of Nepalese, “Com’ ere you crazy little bastard. We are doing shots! Right now! Yeah you! You an’ me!”
The undeniably large kid drags a local from the shivering crowd. The Number 4 slaps Number 2 on the shoulders and signals at Number 13, who is ambitiously rolling under the flickering lights.
“Wooh! THAT is why I fucking love you man! You fucking ARSEHOLE! Look! Tevo is break dancing in his own spew!” exclaims Number 4, who is then joined by Number 2 as they both cheer at the graceless spectacle. A virile chanting crescendos as the rowdy pack somehow unify in a shambled chorus, “you…es…ay! You…Es…Ay! YOU-ES-AY!”
The blind, patriotic call continues to build as Drombrovsk drains the beer and makes off - out into the quiet street. He is neither afraid nor annoyed, as dusk begins to call in the day, but there is a definite confusion of thoughts concerning those robust tourists.
* * *
The global tourist trail is awash with national groups who have been explicitly bound to certain stereotypes. What Drombrovsk witnessed in that small town in the Himalayas, is a manifestation of the growing idea that the American traveler is an over zealous, culturally insensitive, drunken buffoon. Every outing I have undertaken from these insulated shores of Van Diemen’s Land produces parallel accounts - it seems that this nationality of genuine explorers, these good ol’ sons and daughters of the United States, are subject to an overt and unwarranted level of prejudice. But who levels these charges? The numbers and events are fixed truths in the Drombrovsk narrative, what we mustn't forget is that the specific nationality could be easily dismissed.
I were once in Barcelona, years ago, sitting with a nice young couple from Oregon, and cards were dealt and stories traded about various police institutions and the Jewish faith and so on, when some five or six Europeans decided to intervene our mellow conversations. This was no pleasant, jovial or even cheeky intervention, these bona fide Eurocentric’s began wailing abuse at the Americans because of their head of state (at the time) President George W. Bush. They went on and on, as if this particular topic hadn’t been discussed at monumental length in every public and private sphere the world over. The couple from Portland city diplomatically fielded the rant and continued to do so, even after they had become personally responsible for the destruction of the English language. How boring and “poo-poo” we said to them (we the colonial upstarts) and returned to our wines.
Then the poor boys of Gainesville, Florida are sitting in a restaurant in Jakarta being spied ordering burgers, fried chicken and “goddamn beer”. Later that evening, in a pool hall on Jalan Jaksa, some English, Irish and Australian fellows and ladies, felt it necessary to reprimand these southern lads of music, engineering and poetry about their culturally boring dinner selections. The intellects of the New World avoided exacerbating an inane confrontation, by withholding the fact that they had been three weeks in the darkest heart of West Java, eating only minnows and rice. Thankful we were, once the gourmet dining police had gone to bed, for those hardy travelers were off to Conrad’s very own Heart of Darkness the following day – to Sydney and the brutal, uncharted world of generic IT jobs and one-year working visas.
There is Josh the veterinarian from Washington State, who could quote (whilst drunk on rum) all the great Russian novelists to the unknowing masses in Chile. Audrey and Rhonda from Illinois, studying law in Durban and always fighting off trained racist guard dogs. Tee-rent from San Diego didn’t care how loud he was, all he cared for was environmentally ergonomic construction, French girls and playing music with “who ever is down”. Or Old Eric from Kauai, smiling and sailing with his wife throughout distant blue atolls or anywhere else he pleased, and if some "jerk-off journalist" in Samoa wanted to fight because he was too old and too loud then it was time to "duke it out on the beach". All these people had an entrenched inspiration and hope; vibrant, huge and infectious personalities that would steer them beyond misguided accusations and self-doubt.
* * *
It’s true that on the world stage America has often not been held in high esteem; this has been the growing case since the 1950’s. The Yankee sailors, on leave in Australia, would come ashore and strike the dance halls and bars sweeping the local ladies away from the doldrums of a conservative, war weary society. It would seem that this said more about the laconic ocker than the lonely seaman on shore leave. The local man who sits in the corner grimacing into his 10 oz. beer, unable to launch a suitable retort against these dashing foreigners on the dance floor, has only himself to blame.
The United States has been the global hegemonic power, by a huge margin, since the conclusion of the second Great War. This supreme position, although eagerly pursued by White House foreign and domestic policy, has garnered the country international ill-feeling. Not everyone likes the top dog, but most have to begrudgingly acquiesce to this hierarchy.
'Soft Power' is a term used to consider the cultural potency that a national body indirectly or directly exudes onto other states. It is this American soft power, which appears to particularly enrage and encourage outspoken behaviour from other travelers. The television and music, jive-talking, bold gestures, broisms, whack clothing, green backery and consumerist cappo-pig dogging are all components of a cultural phenomenon, which has captured the brains, imagination and wallets of people everywhere. But is it truly a case of the tele-box being the opiate of the masses? Are we simply mindless absorbers of the only way - the American Way? Problematic though it may be for people to admit, American culture runs deeper than a mere veneer of brashy cheese. We engage with it consciously and find it is exciting and fundamentally hopeful, and that it isn't European. Nobody can deny Vanilla Ice.
* * *
Larger social, political and historical contexts can sometimes assist in our understanding of seemingly random encounters and events. It makes life easier when we can explain away contradictions, even if that opposing idea is more like the truth than our minds would allow. However, this narrative has slowed and is ironically twisting into the canals of academic writing, this is exactly what we need to avoid. We should stop prescribing larger models of thought to the individual. It is from this way of thinking that stereotypes and grand judgments are able to evolve, from the thin veil of myths, into a factual and grotesque plumpness.
The Americans out there, on the road, taking charge and exploring the world by larger perspectives should not be chained to a perceived solitary national image. Essentially, what happens is not the meeting of two peoples, but a political engagement. The lady from Austin Texas is being cautiously trapped, whilst she spins and sings on a hostel chair, waiting for the computer screen to talk to her. Wandering past are those that would later sneer in the kitchen and lounge, about her thoughts and beliefs, without her having uttered a word on the matter of personal politics. The fact remains, that many of us do not possess the political skill or objectivity to examine and interact with other people through this lens, without making horribly misguided judgments. We must understand and attempt to read the humane poetry of every individual. Let the person speak, have a drink with them, lose in a game of cards (if you have the time), talk about woeful and joyous occasions - those Americans, and all the people, can read a newspaper or watch the television if they want those grander versions of national truth.
* * *
Jimmy Bodean, the stalwart Yankee, sits on the edge of that old porch before bed every night and screams from his pores "American Dreams! American Dreams!" Gazing sadly out across suburbia, he fulfills his role as the White Trash Prophet. Then before slipping into bed and a restless slumber he quotes an old Russian - who loved his homeland just as much as Jimmy, in an endless and sinewy, patriotic thread - and from the foot of the bed with clasped hands in prayer, he asks politely and solemnly -
- "Lord, let me be a poet
Let me not deceive the people"
:: Words & Photo - GF
Sunday, June 21, 2009
Time to inquire / Introducing Harold George Ian Foulds
:: His first short story will be up later this week. Keep Posted! Photo -A.S
Thursday, June 18, 2009
She travels with intensive faith - Lavishing love, rebutting hate
:: A self Portrait by Jessie Prince
Tuesday, June 16, 2009
Some thoughts on symmetry.
Essentially the concept of symmetry is a complex issue. It is in relation to the image that we will focus. Symmetry permeates society, science, physics, art, design, nature and etceteras. A constant and reoccurring discussion seeks to contradict the notion of symmetry, and that is that the appearance is only 'skin deep'. Example. Take the quintessential tourist epitome that is the Taj Mahal. Construction was completed in 1653 after Mughal boss cocky Shah Jahan spent several years preparing the ultimate homage to his late wife Mumtaz Mahal. The tribute took the form of a grandiose mausoleum that we know as the Taj Mahal, a deserved parting gift for the Indian Empress that gave birth to thirteen children.
Now if I was any kind of camera savvy rubbernecked tourist I'd be standing at the end of Jahan's sunken-pool boulevard, in an attempt to line myself up, straight as a gun barrel mind you, with the wee little bushes framing the Ol mighty Taj at the end of the straight. I ain't never been to Jahan's ode to Mumtaz, however I can assure you I couldn't resist taking that cliche snap of the palace. Don't get me wrong, I'd 'expertly' juxtapose an Indian midget vendor into the frame so avant garde Flickr peers can distinguish me snap from 'common art' and muse of quasi revolutions in photography.
'LOL' 'sooooo' not true 'wtf'.
Seems we've deviated from the topic at hand. Returning to the construction of the symmetrical image. First impressions of the image would show the boulevard stretching away to the pinnacle of Taj M at the end of the ordained thoroughfare. There would appear to be little change in the image if I were to hold a mirror up, splitting and reflecting the other half of the picture. However if we were to slip the image into Photoshop and eagerly depress the zoom slider it would become apparent that inconsistencies are rife, the initial symmetry is lost. Or as aforementioned, skin deep. Take the human face, a shopping aisle, a butterfly, take whatever you want and your position of perspective and view defines the aesthetic and clarity of that symmetry. The human face and the butterfly appear symmetrical, however obvious features detract from this position. It is this process of perspective, view, passing encounters and the noticed linear appeal that gave me the initial idea for the brief photo essay attached. So in conclusion, the seedling did return. Yes, one can pick and say “Where does the symmetry exist in that image? Here, here and here is proof that this piece ain't near symmetrical! And here again!”. These photos are designed to show the inspiration of symmetry, not the quest of obtaining the ultimately precise symmetrical image devoid of faults and discrepancies. Thankyou - Alasdair Shruman
:: Photos - Alasdair Shurman
Sunday, June 14, 2009
A little summer in Winter
:: Possibilities? Photo - Jonno Howell (Click image for full size)
Since the advent of digital photography its easy to become immune to the benefits of the latest technology, however its distinctions were reiterated yesterday. Once 36 shot sequences were reserved for 'on the pay-roll' camera hacks who were being thrown velvia 100 speeds' from editors with eyes only for the stickered pro. A bit of shift work shared between the team, and we had quickly tallied up a frames count well into the hundreds. Circling my thumb on the back of the EOS during the ride home and, short of a few frames, the sheer volume of the images creates an impressive movie depicting events from sunrise departure, Mac Ds breakfast, pineapple violations, pits of the day right up until the boot closed on yet another successful wave hunt - Alasdair Shurman
:: Ins and outs with the Massachusetts Whistle. Condensed 18 frames from the original 36.
Photo - Alasdair Shurman (Click image for full size)
:: Check the blemished curl where Al's rail transition has taken place. Photo - Amelia Hallam
(Click image for full size)
Wednesday, June 10, 2009
A TASTE OF THE HONEY
:: Sarah Sappleton made it to our list of 21 favorite things. Photos by Jessie Prince
Monday, May 18, 2009
Sunday, May 10, 2009
Litlle Johnny, Little Johnny, Let me in!
:: Click on the picture to read Johnny's statement.. And to organise the $12 2012 schooner.
Saturday, May 9, 2009
Rique Sharman
:: The New 50mm f/1.4 Canon lens gave some great depth of Field. make up & hair by Mandana Hemety
:: New Face of the Year Category” at the Pantene Young Woman of the Year Awards.
Saturday, April 25, 2009
Blessed with a Front Page.
:: Tallows was particuarly good this day. One eye in the lens and the other on the point.
Thursday, April 23, 2009
Bloody Golf & Skates
:: Photo - Jessie Prince Director - Jonno Howell Models - Graeme Odonnel, Tyla Dombrovski. Make up & FX - Mandana Hematy Graphics - Jonno Howell
:: Photo - Jessie Prince Director - Jonno Howell Models - Graeme Odonnel, Nina Hill. Make up & FX - Mandana Hematy Graphics - Jonno Howell